>> Narrator: IN THIS WORLD,
THERE IS REAL EVIL IN THE
DARKEST SHADOWS AND IN THE MOST
ORDINARY PLACES.
THESE ARE THE TRUE STORIES OF
THE INNOCENT AND THE
UNIMAGINABLE.
SOME SAY THAT EVERY PHOTOGRAPH
STEALS A PIECE OF A PERSON'S
SOUL.
FOR LISA WILSON, THE MYTH IS
TRUE.
>> AAH!
>> Narrator: A DEAD SOLDIER,
CAPTURED IN BLACK AND WHITE,
INVADES HER DREAMS AND THEN HER
HOME TO STEAL HER SOUL, ONE
PIECE AT A TIME.
BETWEEN THE WORLD WE SEE AND THE
THINGS WE FEAR, THERE ARE DOORS.
WHEN THEY ARE OPENED, NIGHTMARES
BECOME REALITY.
MORE THAN 58,000 AMERICAN G.I.s
WERE KILLED DURING THE VIETNAM
WAR.
FOR SOME, THE WAR AND THE
SUFFERING IT CAUSED MAY NEVER
END.
THE YEAR IS 1994.
>> SO I GUESS THIS IS IT.
>> YEAH.
>> Narrator: SINGLE MOTHER
LISA WILSON IS HELPING HER
EX-BOYFRIEND, DAN, MOVE OUT OF
HER HOUSE.
>> DAN AND I WERE ONCE BOYFRIEND
AND GIRLFRIEND.
I NEEDED HIM WHEN I MET HIM, AND
HE ACTUALLY HELPED ME THROUGH MY
DIVORCE.
>> BUT WE'LL BE FRIENDS, RIGHT?
>> BUT THEN OUR PATHS WENT
SEPARATE WAYS.
>> I'LL STILL SEE YOU.
[ ENGINE TURNS OVER ]
>> IT PROBABLY BROKE ITS TOOTH
BITING ANOTHER TYRANNOSAURUS REX
OR BITING INTO THE BONE OF
ANOTHER DINOSAUR.
>> [ GIGGLES ]
>> MOM LOOKS PRETTY BUMMED.
>> Narrator: WITH DAN GONE, IT'S
JUST LISA AND HER DAUGHTERS,
8-YEAR-OLD LAURA AND 10-YEAR-OLD
SARA.
LISA IS WORKING A FULL-TIME JOB
AS AN INSURANCE CLERK WHILE
STUDYING FOR HER COLLEGE DEGREE.
>> EVERYONE IN HILL CITY,
SOUTH DAKOTA, KNOWS HOW TO FIND
BLACK HILLS INSTITUTE.
>> FINANCIALLY, IT WAS A
STRUGGLE FOR ME.
BUT, YOU KNOW, I KNEW THERE WAS
A LIGHT BEYOND THE TUNNEL, AND
SO THAT IS WHAT I WAS STRIVING
FOR.
>> HEY, MOM.
IS THE TV BOTHERING YOU?
>> JUST A LITTLE.
>> WE CAN GO TO OUR ROOMS IF
YOU WANT.
>> HOW ABOUT WHEN I'M DONE, WE
GO OUT FOR SOME ICE CREAM?
>> OKAY.
>> Narrator: LISA'S HOMEWORK
OFTEN KEEPS HER UP WELL PAST
MIDNIGHT.
SHE DISCOVERS SOMETHING DAN HAS
LEFT BEHIND.
IT'S A PHOTOGRAPH OF DAN'S
BROTHER, MICHAEL.
>> MICHAEL HAD GONE TO VIETNAM
AT THE AGE OF 18.
AND AT 19 YEARS OLD, A YEAR
LATER, HE WAS KILLED.
>> Narrator: MICHAEL WAS ON A
RECON PATROL WHEN HE WAS
AMBUSHED.
>> HEY!
HELP ME!
>> [ SHOUTS IN VIETNAMESE ]
>> WE NEED A MEDIC NOW!
>> Narrator: THAT WEEKEND,
LISA'S SISTER CAROL VISITS THE
HOUSE.
CAROL IS CAPTIVATED BY THE
PHOTO.
>> IT'S HIS BROTHER, MICHAEL.
>> EVEN THOUGH YOU COULDN'T SEE
HIS EYES, YOU COULD.
>> CERTAINLY DRAWS YOU IN,
DOESN'T IT?
>> AND IT WAS LIKE HE WAS
STARING OUT, TRYING TO GET YOUR
ATTENTION.
>> IT KIND OF FREAKED ME OUT.
I DIDN'T REALLY LIKE IT.
>> ARE YOU GOING TO GIVE IT BACK
TO HIM?
>> WELL, I WAS THINKING I WOULD
GIVE IT TO HIM AS A BIRTHDAY
PRESENT, MAYBE BLOW IT UP TO AN
11x14.
>> YEAH.
>> Narrator: LISA PLANS TO FRAME
THE PHOTO AND GIVE IT TO DAN AS
A BIRTHDAY GIFT.
>> SHE GOES, "DO YOU THINK
HE'LL LIKE IT?"
AND I SAID, "I THINK THAT DAN
WILL LOVE IT."
>> THINK YOU'RE GONNA LIKE THIS.
>> Narrator: A WEEK LATER, LISA
PICKS UP THE CUSTOM-FRAMED
PHOTOGRAPH.
>> I WAS EXCITED.
I DIDN'T REALLY WANT TO GIVE IT
TO DAN.
THIS PICTURE HAD ALREADY BECOME
PART OF MY LIFE.
IT JUST SPRUNG OUT AT ME.
>> [ GASPS ]
[ PANTING ]
>> I SAW HIM.
THEN AT THAT POINT I'M THINKING,
"OKAY, VIVID IMAGINATION" AND
JUST "IT HAS TO BE SOMETHING
ELSE."
>> Narrator: WEEKS LATER, AT THE
HOME OF DAN'S MOTHER...
DAN CELEBRATES HIS 40th BIRTHDAY
WITH HIS FAMILY.
>> 40 YEARS OLD.
[ INDISTINCT TALKING ]
>> * HAPPY BIRTHDAY
>> MOM, IT LOOKS GREAT.
>> MAKE A WISH.
>> ALL RIGHT!
>> THANKS.
>> I THINK YOU'RE REALLY GONNA
LIKE THIS.
>> SHE REALLY THOUGHT THAT DAN
WOULD LIKE THE PICTURE,
ESPECIALLY CONSIDERING IT CAME
FROM HER HEART.
>> OH.
>> HEY, UH...
HOW 'BOUT A PIECE OF CAKE?
>> YEAH.
>> WHO ELSE WANTS CAKE?
WANT CAKE?
>> YEAH.
>> I THOUGHT, "OH, MY GOD.
WHAT HAVE I DONE?"
MADE ONE OF THE BIGGEST MISTAKES
OF MY LIFE.
>> Narrator: LISA DOES NOT
UNDERSTAND WHY DAN REFUSED HER
GIFT.
[ POUNDING ON DOOR ]
[ POUNDING ]
LISA CANNOT HELP THINKING THAT
SOMEHOW MICHAEL IS IN HER HOUSE.
>> NOW I WAS AFRAID.
[ POUNDING ON DOOR ]
>> HOW CAN YOU NOT KNOW?
>> HEY, DID ONE OF YOU GUYS
KNOCK ON MY DOOR REALLY LATE
LAST NIGHT?
>> NO.
>> ARE YOU SURE?
>> YEAH, I'M SURE.
>> HAVE A GOOD DAY AT SCHOOL.
HAVE A GOOD DAY.
>> YOU TOO. BYE.
>> I LOVE YOU GUYS.
>> LOVE YOU TOO.
>> LOVE YOU.
[ KNOCK ON DOOR ]
>> [ SIGHS ]
>> HI.
I'M REALLY SORRY ABOUT WHAT
HAPPENED AT THE PARTY.
>> Narrator: LISA'S EX-BOYFRIEND
DAN EXPLAINS WHY HE WAS SO
UPSET BY THE PHOTO OF MICHAEL.
>> ...THOUGHT GIVING THE PICTURE
BACK.
I KNOW YOU MEANT WELL, BUT...
THANKS.
IT'S JUST THAT MICHAEL IS A
PAINFUL SUBJECT IN OUR FAMILY.
>> BUT HE'S YOUR BROTHER.
>> YEAH, I KNOW, BUT YOU DON'T
KNOW MICHAEL THE WAY WE DID.
HE WAS ALWAYS FIGHTING WITH
EVERYONE.
I MEAN, ONE DAY HE HAD THIS BIG
BLOW-UP...
>> I DID FIND OUT THERE WAS AN
ARGUMENT OF SOME SORT, AND HE
LASHED OUT AT HIS WHOLE ENTIRE
FAMILY AND SIGNED UP FOR
VIETNAM, AND HE WAS OUT OF
THERE.
AND HE WAS OUT OF THERE -- THEY
NEVER SAW HIM AGAIN.
>> MY MOM, SHE SAW THAT PICTURE,
AND SHE HAD SOME NIGHTMARE THAT
MICHAEL WAS KNOCKING AT HER
FRONT DOOR.
>> OH, MY GOD.
I HAD THE SAME DREAM.
I THINK THIS IS IMPORTANT, DAN.
I THINK YOUR FAMILY NEEDS TO
COME TO TERMS WITH MICHAEL'S
DEATH.
>> I DON'T WANT TO TALK ABOUT
IT.
>> DAN, PLEASE, PLEASE.
TAKE MICHAEL WITH YOU.
>> MICHAEL'S DEAD.
>> Narrator: LISA FEELS
COMPELLED TO HANG THE PHOTO IN
HER BEDROOM.
>> THAT PICTURE HAD NOW BECOME
A PART OF ME.
AND I THOUGHT, WELL, THIS IS A
LITTLE STRANGE BECAUSE HE'S NOT
A BLOOD RELATIVE, I DON'T KNOW
WHO THIS MAN IS.
BUT IT DIDN'T MAKE ANY
DIFFERENCE.
>> MY MOM STARTED CHANGING.
HER PERSONALITY WENT FROM BEING
REALLY HAPPY AND WANTING TO DO
EVERYTHING WITH US TO BEING IN
HER ROOM.
SHE JUST TOTALLY ISOLATED
HERSELF FROM MY SISTER AND I.
>> IT'S VERY STRANGE BECAUSE
ACTUALLY I FELT SPECIAL.
IT WAS KIND OF LIKE HE WAS MINE.
[ CLOCK TICKING ]
>> Narrator: LATE THAT NIGHT,
SARA IS UNABLE TO SLEEP.
[ CLICK, STATIC CRACKLES ]
>> AIR SUPPORT!
WE NEED...
>> SARA...
SARA...
>> AT FIRST I THOUGHT IT WAS A
WEIRD CONNECTION, LIKE MAYBE
WITH A CELLPHONE OR A PHONE
LINE.
>> SARA...
SARA...
[ CLICK ]
>> I JUST WANTED TO RUN AWAY.
>> MICHAEL IS DEAD.
>> Narrator: LISA'S THOUGHTS ARE
CONSUMED BY THE PHOTOGRAPH OF A
DEAD SOLDIER.
>> IT'S LIKE THIS ENERGY IS
BEING DRAINED OUT OF ME.
IT'S LIKE JUST BEING SUCKED OUT
OF ME AND BEING FILLED WITH THIS
DARKNESS.
>> Narrator: LISA TURNS TO HER
SISTER CAROL, DESPERATE TO TALK
ABOUT THE GROWING HOLD MICHAEL
HAS ON HER.
[ TELEPHONE RINGS ]
>> HELLO?
>> HEY, CAROL, IT'S ME.
>> HEY, HOW ARE YOU DOING?
>> I'M FINE.
>> REALLY?
>> NO, NO, I'M NOT FINE.
I CAN'T STOP THINKING ABOUT
MICHAEL.
>> SHE TALKED ABOUT MICHAEL.
"WHEN I GET HOME, I WONDER WHAT
MICHAEL HAS DONE."
AND I AM THINKING, "WHAT DO YOU
MEAN 'WHAT MICHAEL HAS DONE'?
THERE IS NO MICHAEL.
IT'S A PICTURE."
>> [ DISTORTED TALKING ]
>> DO YOU HEAR THAT?
>> Narrator: LISA BELIEVES THERE
IS EVIDENCE OF MICHAEL'S
PRESENCE EVEN AS SHE TALKS ON
THE PHONE.
>> IT'S LIKE HE'S ON THE LINE
WITH US.
CAROL, IT'S...
>> MICHAEL IS NOT REAL.
IT'S A PICTURE.
>> NO, HE IS NOT JUST A PICTURE,
CAROL!
HE IS MORE THAN A PICTURE.
I AM TRYING TO TELL YOU THAT I
FEEL HIM HERE.
IT IS LIKE HE IS A GHOST IN MY
HOUSE.
I CAN FEEL MICHAEL.
>> THE MINUTE I WOULD SAY
MICHAEL'S NAME, YOU WOULD GET
THAT CRACKLING, SIZZLING...
[ IMITATES STATIC CRACKLING ]
NOISE, AND IT'S LIKE, "CAN YOU
HEAR ME?
CAN YOU HEAR ME?"
>> [ MUFFLED TALKING ]
>> I CAN'T -- WHAT? WHAT?
>> IT'S LIKE HE'S ON THE LINE
WITH US.
IT'S LIKE MICHAEL IS HERE, HE'S
LISTENING.
>> GET RID OF THE PICTURE!
GET RID OF THE PICTURE!
>> NO.
NO!
>> LI-- HELLO?
>> THERE'S NO WAY I AM TAKING
THAT PICTURE DOWN.
THERE IS NO WAY.
I JUST -- I JUST CAN'T TELL YOU
WHY.
BUT THAT PICTURE IS STAYING UP.
[ INSECTS CHIRPING ]
>> SARA...
SARA...
>> AAAAH!
AAAH!
>> WHAT'S THE MATTER?
>> I -- I SAW A MAN.
>> WHAT'S THE MATTER?
I HEARD A SCREAM.
>> THERE WAS A MAN.
>> WHAT?
>> THERE WAS A MAN.
>> NO, NO, IT WAS -- IT WAS
NOTHING.
SHE WAS HAVING A NIGHTMARE.
IT WAS JUST A NIGHTMARE.
>> I DIDN'T TELL MY MOM THAT I
JUST SAW MICHAEL, BECAUSE SHE
WAS ALREADY SO STRESSED OUT AND
FREAKED OUT THAT I DIDN'T WANT
TO WORRY HER MORE.
>> OKAY.
OKAY.
GO BACK TO BED, OKAY?
EVERYTHING IS OKAY.
EVERYTHING'S FINE, OKAY?
GO ON -- BACK TO BED.
>> MOMMY?
CAN YOU LEAVE THE LIGHT ON?
>> OH, OKAY.
GOOD NIGHT.
>> I SAW HIM, TOO.
>> WHAT SHOULD WE DO?
>> WE KIND OF REALIZED THAT THIS
MICHAEL PERSON ISN'T JUST A
PICTURE.
>> IT'S GONNA BE OKAY.
>> OBVIOUSLY MICHAEL WAS IN OUR
HOUSE.
>> HEY.
>> Narrator: THAT WEEKEND, LISA
ASKS HER SISTER CAROL TO TAKE
CARE OF THE KIDS.
>> THANK YOU SO MUCH FOR LETTING
THEM STAY TONIGHT.
>> NO PROBLEM.
I LOVE HAVING THEM HERE.
NOT A PROBLEM AT ALL.
>> HEY, GUYS, COME ON.
>> OKAY, THERE'S JUICE IN THE
FRIDGE, COOKIES ON THE COUNTER.
HELP YOURSELVES.
SAVE ONE FOR ME.
>> I LOVE YOU GUYS, OKAY?
>> NOW, I AM TAKING THEM BECAUSE
I WANT YOU TO HAVE A NICE,
RELAXING WEEKEND AT HOME ALONE.
NONE OF THIS MICHAEL STUFF.
>> OKAY, I PROMISE.
>> Narrator: LISA WILL SPEND HER
FIRST WEEKEND IN OVER A YEAR
WITHOUT HER DAUGHTERS.
>> I SMELLED THIS SULFURIC TYPE
OF A SMELL.
I COULD FEEL THIS ENERGY, THIS
CRACKLING TYPE OF ENERGY.
>> MICHAEL, GO HOME!
>> I THOUGHT, "I'VE HAD ENOUGH
OF THIS."
>> Narrator: LISA CANNOT BRING
HERSELF TO DESTROY THE PICTURE.
SHE IS AFRAID THE SPIRIT WILL
RETALIATE.
>> I WAS AFRAID OF HIM, BUT I
WAS ALSO AFRAID OF MAKING HIM
MAD.
>> [ GASPS ]
[ PANTING ]
AAH!
>> IT WAS LIKE THIS RUSH OF COLD
FEAR WENT RIGHT INTO MY CHEST.
IT WAS TERROR THAT I HAVE NEVER
FELT BEFORE IN MY LIFE, AND I
KNEW THAT WAS NOT MICHAEL.
THAT WAS SOMETHING TOTALLY
DIFFERENT.
>> Narrator: LISA BELIEVES THERE
ARE TWO SPIRITS IN HER HOUSE
AND THAT MICHAEL MAY BE
PROTECTING HER.
>> AND I CRIED.
I THOUGHT, "WHAT IS WRONG WITH
ME?
WHAT IS WRONG WITH ME?"
>> MICHAEL, GO HOME!
[ GASPS ]
HEY, GUYS!
HEY.
OH, I MISSED YOU SO MUCH.
DID YOU HAVE FUN?
>> YEAH.
>> GO GET IN THE CAR, OKAY?
I'LL BE RIGHT THERE.
THANK YOU SO MUCH.
>> YOU'RE WELCOME, SWEETIE.
I GOT YOU SOMETHING.
>> WHAT IS THIS?
>> IT'S TO TAKE THE PLACE OF
MICHAEL, TO FILL THE SPACE WHERE
MICHAEL WAS.
>> OKAY.
THANK YOU.
>> OF COURSE, OF COURSE.
ANYTIME, ANYTIME.
BYE, GIRLS!
YOU DID TAKE THAT PICTURE OF
MICHAEL DOWN, DIDN'T YOU?
>> YEAH, OF COURSE I DID.
THANKS.
I-I'LL SEE YOU LATER.
>> Narrator: LISA DOES NOT
REPLACE THE PICTURE OF MICHAEL.
BUT SHE HOPES THAT THE NEW ONE
WILL HELP LIGHTEN HER MOOD.
>> I JUST THOUGHT THAT WOULD BE
A GOOD AURA TYPE OBJECT TO PUT
INTO THE HOUSE, TO MAYBE
BRIGHTEN IT UP AND GET RID OF
SOME OF THIS GLOOM.
>> ...TO A RIDDLE.
3,000 MAMMOTH STONES, SOME
WEIGHING 300 TONS AND 20 FEET
TALL, SPRAWLING FOR ALMOST 30
SQUARE MILES.
THE QUEST INVESTIGATES EUROPE'S
OLDEST MYSTERY -- WHO PUT THE
STONES HERE?
>> Narrator: THE NEW PICTURE
DOES NOTHING TO LIGHTEN THE MOOD
FOR SARA.
>> WHY?
>> IT'S GETTING LATE.
YOU GUYS SHOULD GET TO BED.
>> IT FELT LIKE IT WAS DREARY.
MY MOM WAS DEPRESSED, MY SISTER
WAS ALWAYS SCARED, AND I HAD TO
BE THE ONE WHO HAD TO BE THE
STRONGEST.
>> COME ON.
[ GLASS BREAKS ]
>> SARA? LAURA?
SARA? LAURA?
>> MOM.
MOM, IS EVERYTHING OKAY?
>> EVERYTHING'S FINE.
>> I HEARD A NOISE.
>> EVERYTHING'S OKAY.
I'M GONNA GO TAKE A LOOK, OKAY?
>> I WAS SCARED.
BECAUSE IF SOMETHING CAN MOVE A
HUGE PICTURE DOWN A HALLWAY, IT
CAN DO ANYTHING.
>> I MUST NOT HAVE HUNG IT
RIGHT, AND THE WIND BLEW IT
DOWN.
>> MOM, HOW COULD IT JUST FALL
OFF THE WALL COME INTO THE
HALLWAY?
IT HAD TO HAVE SOME SORT OF
HELP.
>> I SAID, "MOM, WE'RE NOT
STUPID.
I KNOW THIS IS MICHAEL."
>> AND I SAID, "HOW DO YOU KNOW
ABOUT MICHAEL?"
SHE SAID, "'CAUSE WE SEE HIM."
I COULDN'T SEE HIM, BUT THEY
COULD SEE HIM.
>> LAURA DIDN'T HAVE A NIGHTMARE
THE OTHER NIGHT.
>> [ CRYING ]
>> I NOW DIDN'T KNOW WHAT TO DO
OR HOW TO EVEN BEGIN TO GET RID
OF HIM.
[ GLASS BREAKS ]
>> Narrator: LISA CALLS THE
LOCAL HEALTH SCIENCE CENTER,
SEARCHING FOR SOMEONE WHO CAN
HELP.
>> HI.
YEAH, I -- I SWEAR THIS IS NOT A
CRANK CALL, BUT I AM HAVING A
PROBLEM WITH LIKE A GHOST OR AN
ENTITY IN MY HOUSE.
>> BASICALLY, I ASKED THEM IF
THEY HAD GHOST BUSTERS.
AND THEY KIND OF LAUGHED AT ME,
SAID, "NO," THEY SAID, "BUT
THAT'S A GREAT STORY."
>> WELL, DO YOU KNOW ANYBODY WHO
DOES?
>> SHE REFERRED ME TO KATE, WHO
WORKED FOR A GUARDIAN-ANGEL TYPE
OF A GROUP, AND SHE SAID, "SHE
WILL BE ABLE TO HELP YOU."
>> OH, CAN -- CAN I HAVE THAT
NUMBER, PLEASE?
>> Narrator: THE GROUP CLAIMS TO
HELP EARTHBOUND SPIRITS FIND
PEACE.
>> THANK YOU.
>> WHEN I WENT TO THIS PLACE, IT
KIND OF CREEPED ME OUT A LITTLE.
>> YES, HI.
HOW CAN I HELP YOU?
>> I WAS SCARED FOR MY MOM.
I WAS SCARED THAT IT WOULDN'T
WORK -- AND IF IT DIDN'T WORK,
WHAT WOULD WE DO?
>> IT'S OKAY.
>> UH...ONLY YOU.
THE KIDS HAVE TO STAY PUT.
>> THAT'S FINE.
OKAY?
JUST HAVE A SEAT AND I WILL BE
RIGHT BACK OUT, OKAY?
>> HAVE A SEAT RIGHT HERE AND
KATE WILL BE RIGHT WITH YOU.
>> THANK YOU.
>> YOU'RE LISA?
>> YES.
>> WHAT CAN I DO TO HELP YOU?
>> WELL, AS I SAID ON THE PHONE,
I'M...
>> Narrator: LISA TESTS KATE BY
TELLING HER AS LITTLE AS
POSSIBLE.
>> I JUST TOLD HER THAT OUR
HOUSE IS BEING HAUNTED, AND I
NEEDED TO GET RID OF WHAT WAS
HAUNTING US.
>> YES, I KNOW ALL ABOUT IT.
YOU BROUGHT MICHAEL WITH YOU.
>> WHAT?
>> MICHAEL IS TIED TO THIS EARTH
BY THE ANGER THAT HE FEELS
TOWARDS HIS FAMILY.
HE IS DRAWN TO YOU BECAUSE OF
YOUR POSITIVITY AND YOUR TIES TO
HIS FAMILY.
HE THINKS THAT YOU ARE THE
LIGHT.
>> WHAT?
>> HE DOESN'T WANT TO LET GO OF
HIS ANGER THAT HE FEELS, BUT HE
DESPERATELY NEEDS TO.
IF YOU WANT TO RID YOURSELF OF
MICHAEL, WE CAN SET UP A
CHANNELING SESSION.
IT WILL TAKE US A FEW DAYS TO
PREPARE FOR IT.
ARE YOU SURE YOU ARE READY TO
LET GO OF HIM?
>> [ MOANS ]
>> IT'S OKAY.
>> Narrator: LISA FEELS A SHARP
PAIN IN HER CHEST.
>> SHE SAID, "MICHAEL'S GONE."
I'M THINKING, "WHEW, GOT RID OF
HIM.
THAT WAS EASY."
I SAID, "WELL, GONE?
GONE WHERE?"
>> HE WENT BACK TO YOUR HOUSE.
[ KNOCK ON DOOR ]
IT'S GONNA BE OKAY.
I PROMISE.
>> HEY, GUYS, WHAT'S GOING ON?
>> I DON'T WANT TO SLEEP AT
HOME TONIGHT.
>> OH, MY GOD.
OKAY, OKAY.
>> Narrator: THE NEXT DAY, CAROL
WANTS TO SEE FOR HERSELF WHY
LISA IS SO AFRAID.
>> OKAY.
ALL RIGHT.
IN A WAY, I REALLY WANT TO
BELIEVE THAT IT IS A SPIRIT.
THAT WAY, MY SISTER'S NOT CRAZY.
THEN IN ANOTHER WAY, I DON'T
WANT TO BELIEVE IT'S A SPIRIT,
BECAUSE THEN HOW DO YOU GET RID
OF IT?
I FELT THAT IF THAT PHOTO WAS
OUT OF THE HOUSE, THE ATTENTION
THAT SHE GIVES IT WOULD BE GONE,
AND SHE WOULD WAKE UP AND SAY,
"OH, MY GOODNESS!
LIFE IS GOING ON AND I'M
MISSING IT ALL.
WHAT HAVE I BEEN DOING?
I'VE BEEN IN A CLOUD."
>> I KNOW IT MAKES THE GIRLS
FEEL BETTER.
>> SO, WHAT'S BEEN GOING ON?
TELL ME WHAT'S BEEN HAPPENING.
>> I DON'T KNOW.
>> Narrator: CAROL CANNOT
BELIEVE THAT MICHAEL'S PHOTO IS
STILL ON THE WALL.
>> I WANTED IT CRUMPLED,
BURNT...
>> I'M GONNA TAKE THE PICTURE.
>> ...SHREDDED.
>> I'M GONNA GO OUTSIDE, AND I'M
GONNA SMASH IT TO BITS.
THEN ALL OF YOUR PROBLEMS WILL
BE OVER.
>> NO!
DON'T YOU TOUCH HIM!
GET YOUR HANDS OFF HIM!
DON'T EVER TOUCH HIM!
IT'S NOT MICHAEL.
MICHAEL ISN'T THE PROBLEM.
YOU DON'T KNOW HIM.
I DON'T KNOW WHAT CAME OVER ME.
THE PICTURE JUST AFFECTS ME SO
MUCH.
>> LISA, I AM YOUR SISTER.
YOU KNOW I LOVE YOU...
>> SOME PEOPLE EAT WHEN THEY'RE
UPSET.
SOME PEOPLE DRINK.
MAYBE SHE FOUND MICHAEL.
>> YOUR OBSESSION WITH MICHAEL
AND THIS PICTURE IS OUT OF
CONTROL.
IT'S TOO MUCH.
>> MICHAEL NEEDS ME.
I AM THE ONLY ONE WHO CARES
ABOUT HIM.
>> MICHAEL ISN'T REAL.
[ GLASSES TINKLING ]
YOU WANT TO KNOW WHAT IS REAL?
THOSE GIRLS ARE REAL.
SHOW THEM YOU LOVE THEM --
DESTROY THE PICTURE.
COME ON.
JUST GO.
>> YOU COULDN'T HAVE PAID ME TO
GO BACK IN THAT HOUSE AGAIN.
LADIES, TO THE CAR PLEASE.
SEAT BELTS.
>> I WAS AFRAID FOR MY SISTER'S
SAFETY.
I WAS AFRAID FOR SARA AND
LAURA'S SAFETY.
>> COME ON, GIRLS.
>> Narrator: CAROL TAKES THE
GIRLS HOME WITH HER.
LISA IS LEFT WITH AN IMPORTANT
DILEMMA -- HOW TO RECLAIM HER
LIFE.
>> I'M HAVING A PROBLEM WITH...
[ MOANS ]
DON'T YOU TOUCH HIM!
[ KNOCKS ON DOOR ]
>> Narrator: THE PSYCHIC PLANS
TO USE A CHANNELER TO MAKE
CONTACT WITH MICHAEL'S SPIRIT
AND ENCOURAGE HIM TO MOVE
TOWARDS A MORE PEACEFUL
AFTERLIFE.
>> ...AND THAT HE NEEDS TO CROSS
OVER TO THE OTHER SIDE.
>> OKAY.
>> LISA, WHEN YOU ARE READY, WE
WILL JOIN HANDS, AND THEN THE
SPIRIT WILL COME TO ME.
AND WHATEVER HAPPENS, DON'T LET
GO UNTIL KATE INSTRUCTS YOU TO.
>> OKAY.
>> ARE YOU READY?
OKAY.
>> THE FACE OF THIS WOMAN WAS
TOTAL EVIL.
>> [ LAUGHS EVILLY ]
>> WHO ARE YOU?
>> MY NAME IS STEVEN.
>> WHAT DO YOU WANT?
>> WHAT DO I WANT?
WHAT DO I WANT?!
I WANT LISA TO SUFFER.
>> IT'S OKAY.
IT'S ALL RIGHT.
DON'T LET GO OF HER HAND.
WHY DO YOU WANT TO HURT LISA?
>> SHE WAS WITH ME IN ANOTHER
LIFE...
>> AAH!
>> ...AND I KILLED HER.
>> HOW DID YOU GET HERE?
WHO BROUGHT YOU HERE?
>> HE BROUGHT ME HERE.
>> Narrator: ANOTHER SPIRIT
POSSESSES THE CHANNELER.
>> I'M SORRY.
I'M SORRY.
I DIDN'T MEAN TO HURT YOU.
>> ARE YOU MICHAEL?
>> Narrator: THE PSYCHIC
REALIZES THAT AN EVIL SPIRIT HAS
BEEN MANIPULATING MICHAEL IN
ORDER TO TORMENT LISA.
>> MICHAEL, WHY ARE YOU HERE?
>> I'M HERE BECAUSE OF LISA.
SHE WAS HERE FOR ME WHEN MY
FAMILY COULDN'T BE.
>> MICHAEL, YOU NEED TO GO TO
YOUR LIGHT.
>> LISA IS THE LIGHT.
>> NO.
YOU'LL FIND YOUR LIGHT.
LOOK ABOVE YOU.
LOOK UP.
YOU'LL FIND YOUR LIGHT.
STEVEN CAN'T HURT HER IF YOU
CROSS OVER.
>> THIS PERSON GOT THIS KIND OF
SERENE LOOK ON HER FACE, AND SHE
SAID, "I'M SORRY, LISA."
SHE SAYS, "BUT NOW I SEE THE
LIGHT.
I'M SORRY.
I'M GOING."
>> GOODBYE.
>> I COULD FEEL HIM JUST GONE...
WHICH WAS SO SAD FOR ME BECAUSE
I DID NOT GET TO SAY GOODBYE
AND HE HAD BEEN WITH ME SO
LONG.
SO IT WAS KIND OF HEARTBREAKING.
BUT THEN I KNEW HE WAS WHERE HE
WAS SUPPOSED TO BE.
>> Narrator: LISA NEVER LEARNS
ANYTHING MORE ABOUT THE EVIL
SPIRIT THAT CALLED ITSELF
STEVEN.
BUT SHE HOPES THAT WITH MICHAEL
GONE, IT WILL NO LONGER HAVE ANY
POWER TO HURT HER.
IN THE FOLLOWING WEEKS, THE
ATMOSPHERE IN LISA'S HOME
RETURNS TO NORMAL.
MICHAEL'S PHOTO REMAINS...
UNTIL LISA GRADUATES FROM
COLLEGE AND IS READY TO MOVE
OUT.
>> WHEN I LOOKED IN HIS PICTURE,
IT WAS LIKE THAT OBSESSION WAS
GONE.
IT WAS KIND OF LIKE A TOMBSTONE.
YOU ALWAYS PUT A HEAD ON A
TOMBSTONE TO MEMORIALIZE A DEAD
PERSON, AND THAT'S KIND OF WHAT
THAT PICTURE WAS TO ME.
>> YOU CAN SLEEP WITH A BOY.
>> MICHAEL'S NOT IN THAT BOX,
IS HE?
>> NO, HE ISN'T.
LET'S GET IN THE CAR, OKAY?
>> Narrator: LISA AND THE GIRLS
MOVE ON...
>> I'LL FOLLOW YOU OUT, OKAY?
YOU ALL DRIVE SAFE.
BYE, GIRLS!
>> Narrator: ...TAKING ONLY
MEMORIES OF THE SOLDIER WHO
CHANGED THEIR LIVES.
-- Captions by VITAC -- www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS, INC.